George Mason University's Center for the Arts

“One of the most riveting modern dance performances of the season,” says The Washington Post about this spectacular dance troupe from New Zealand. For more than ten years, Black Grace has delighted audiences across the globe with its joyous spirit, irresistible passion, and unique point of view. A fusion of traditional Pacific cultures and contemporary dance, this sensational ensemble can rock the house with thundering stomps and syncopated body slaps, or sing in sweet three-part harmonies accompanied by gestures that softly curve and sway. Never before has a group of male dancers seemed so gentle yet breathtakingly virile. “Startlingly fresh and full of invention, humor and infectious exuberance.” (The New York Times)

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Chopin the Storyteller

“Insightful and poetically interpreted, both in words and music,” The Washington Post says of this extraordinary performer. In this Keyboard Conversations® concert, Jeffrey Siegel presents three of Chopin’s Ballades: the fiery G Minor, the rhapsodic A-Flat, and the quirky F Major, as well as three Novelettes of Robert Schumann, a great romantic composer and contemporary of Chopin, whose 200th birthday we also celebrate this season. 

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An homage to the rich and tireless passage of the native Irish people from their homeland to the United States, nine-time All-Ireland Fiddle Champion Eileen Ivers returns to the Center with Beyond the Bog Road, a stellar collaboration of Irish and Old Time musicians, singers, step dancers, and cloggers. Ireland’s bog roads, paths into ancient sod fields led millions of immigrants from their beloved homeland to a thriving country where they passed down their musical and dance traditions through the generations. Don’t miss this celebration of Irish-American musical history featuring music, story, film, and dance, and told with Ivers’ signature passion and rootsy grace. “Ivers suggests the future of the Celtic fiddle.” (The Washington Post)

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Described as “powerful, dynamic and unique” by Time Out Chicago, this energetic ensemble combines athletic bodies and contemporary costumes with explosive Taiko drumming and innovative choreography for an electrifying theater experience. Though their art form is often thought of as male-dominated, TAO creates a unique allure with both male and female performers, all having undergone years of rigorous training in the ancient art of Japanese drumming to reach the highest level of virtuosity. By drawing on backgrounds as diverse as rock musicians, gymnasts, and composers, each member brings their own special flair, resulting in a young and vibrant interpretation of this traditional art form. “Extraordinarily talented…incomparable muscular zeal.” (Chicago Tribune)

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