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 The Great Depression of the 1930s brought about government funding for  unemployed Americans. Agencies such as the Civilian Conservation Corps  and the Works Progress Administration (WPA) were instituted to create   jobs for Americans. The Federal Theatre Project (FTP), a division of the  WPA, employes actors, directors and technicians, among others. A smaller  division of the FTP, the Federal Radio  Division, was begun with the goal of   fostering culture and education, through  various radio series, across the  United States.

 The first broadcast aired on March 15, 1936, shortly after the inception of the  Federal Theatre Project, with  continuing weekly broadcasts until the gov-  ernment stopped funding in June of 1939 amid concerns expressed by Rep. Martin Dies of the House Un-American Activities Committee about leftist sentiments.  Programming was a mix of music, famous literary works and offerings from the writers hired by the WPA.  During its existence, the radio division aired nearly eighty series with an average of two thousand programs  a year. Air time, wholly donated by commercial networks, was worth an estimated five million dollars at the  time.

Though the Radio Division, in many instances, was not given prime time slots to air its series, its programming attracted a steady following of listeners. In a few cases, seris produced by the radio Division were so impressive that the networks produced similar programs. In addition to the series being successful, the Division was capable of realizing another goal: almost one-half of all actors hired by the Division were in turn hired by private enterprise. The Radio Division along with its parent, the FTP, took an active interest in producing programs for minorities such as the "Jewish Theatre of the Air." The Division also made significant contribu- tions to the future of radio by publishing manuals, providing technical training for students on radio techniques, developing new sound effects, and using their rented rehearsal studios as training grounds for inexperienced radio actors.

The Federal Theatre Project of Radio Scripts is comprised of 245 scripts from the Federal Theatre Project radio programs and series as well as collections of radio programs intended for Federal Theatre Project productions. The Collection spans the years 1936 through 1939. Many of the scripts have been annotated with additional theatrical instructions, corrections,and textual changes. Total volume of the Collection is 3 cubic feet or 4 linear feet.

Special Collections & Archives (SC&A) preserves and makes available to all students, faculty, and researchers many kinds of original and scholarly materials. Subject areas in SC&A include Northern Virginiana, Planned Communities, Congressional Papers, Performing Arts, Maps, the Civil War, and George Mason University. Formats in SC&A include manuscripts, rare books, playbills, musical scores, audio and videotapes, architectural drawings, photographs, and slides.

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